/ Eran Luzon
About
I’m a motion designer, animator and director based in Tel Aviv.
I started in animation: a B.F.A. in Screen-Based Arts at Bezalel, specializing in stop-motion and experimental animation. My graduation film, “This Is Only Getting Worse”, screened at international festivals and was recognized at Stuttgart ITFS, StopTrik, Tel-Aviv Student Film Festival, the Warsaw Animation Festival and UTOPIA. I then developed my own film, “White Noise”, through the Jerusalem Film & Television Fund’s “The Scene” program, MIFA Campus at Annecy and AnimaSyros.
Then I took that craft into tech. I was Creative Manager at Oribi (later acquired by LinkedIn) and at InfiniGrow (later acquired by Amplitude), where I wrote, directed and produced their video and directed outside talent. Since 2023 I’ve worked freelance with Monday.com, Taboola, Superplay, BeezB, Port.io, PDQ, Celery and others.
In 2026 I finished an M.Des. in Visual Communication at Bezalel. My graduation film, “No Significant Change”, began during an exchange semester in MOME Budapest’s MA Animation program, and was made through a pipeline I built myself: procedural Blender systems, animated through Blender controlled by Claude. That’s the work I enjoy most now: building the technical side and still delivering beautiful visuals.
I sit on the selection committee of the ASIF Animation Competition at the Animix Festival.
Before all that, I worked in QA and mobile automation.
Experience
| Role | Years | Note |
|---|---|---|
| Freelance Creative Manager & Motion Director | 2023–now | |
| Creative Manager, InfiniGrow | 2022 | |
| Creative Manager, Oribi | 2021–2022 | |
| QA and Mobile Automation, Capriza | 2014–2016 |
Education
| Programme | Years | Note |
|---|---|---|
| M.Des. Visual Communication, Bezalel | 2024–2026 | Merit-based scholarship |
| International Graduate Exchange, MOME Budapest, MA Animation | 2025 | |
| B.F.A. Screen-Based Arts, Bezalel | 2016–2020 |
Recognition
- Festival awards for “This Is Only Getting Worse”
- “White Noise”: 75,000 NIS production grant (Jerusalem Film & Television Fund, The Scene), MIFA Campus, Cannes/Annecy (2022), AnimaSyros workshop and its Agora pitching programme (2023)
- Selection committee board member, ASIF Animation Competition, Animix Festival (2023–now, about 40 films a year)
Tools
- Craft
- After Effects, Premiere Pro, Blender, Figma
- AI
- Claude Code (MCP), Higgsfield, Midjourney, Veo, Runway, Weavy, Gemini, ElevenLabs
Languages
Hebrew, English